An appraisal is not evidence.

Every other class you underwrite has an observable market behind it. Art does not, and the further you go from the blue chip names, the less there is to work with.

Valuation is opinion, presented as fact

Art is insured and lent against on appraisals that are often years old, and often produced by a party with a commercial interest in the number.

Coverage stops at the border

Auction databases handle the blue chip market. Outside Europe and North America, and below the top of the market, coverage thins to almost nothing. That is where the growth has been.

Risk is anecdotal

Attribution disputes, title defects, and roster concentration are known problems that nobody tracks in a form an underwriter can use.

Segment report, forthcoming October 2026

The market nobody measured

African and Black American art has outperformed for a decade while remaining largely unmeasured. Our first segment report covers market structure, secondary depth, valuation dispersion against appraisal, and where attribution and title risk concentrate.

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Data intelligence for the business of art

Independent valuation and risk evidence for the institutions that insure, lend against, and hold art on balance sheet.